Joyce Manor

S&S Presents

Joyce Manor

Vundabar, Peach Kelli Pop, Sunsleeper

Sat, October 27, 2018

7:00 pm

In the Venue

Salt Lake City, UT

$18 ADV / $20 DOS

Joyce Manor
Joyce Manor
Acclaimed Californian band Joyce Manor - Barry Johnson (vocals and guitar), Chase Knobbe (guitar), Jeff Enzor (drums), and Matt Ebert (bass) - have announced the release of their anticipated new album entitled Cody which arrives in stores this October 7th, care of Epitaph. It is the follow-up to the band’s 2014’s critically-lauded record Never Hungover Again.

While the band’s Epitaph debut Never Hungover Again was recorded in a mere ten days, Cody is the result of two months in the studio with renowned producer Rob Schnapf, credited on classics by Elliot Smith, Guided By Voices, Saves The Day and Rancid among others. As the band’s guitarist and singer Barry Johnson explains, “It was the first time we really used the studio to our advantage. I felt like I could get a better grasp on what we could do. We always recorded like a punk band—go in and lay ‘em down! Just get good takes! And this time we tried a lot more.” The result is a record that dares to be humble, intimate and unapologetically human. Cody is the album where the band moves past simple pop and punk. It’s a moment for clarity and creative renewal. Without losing any of the emotional power fans love, the band is defiantly looking towards the future.
Vundabar
Vundabar
From 2014 to 2017, Vundabar's Brandon Hagen cared for a loved one that had fallen into a debilitating state of mental and physical decline. For four years his sickness and the eventual loss that followed became the focal point of Hagen’s life as well as his family’s. It was the bell jar under which they lived. Hagen was fractured into two selves; one, largely insular, racked by grief and loss and the other putting it on, touring relentlessly and hoping to be as affable as possible lest he ruin the opportunities at hand. These were the fencings and borders he made for himself and for a time he let them stand. He presented a shell of charisma and withdrew into isolation and despair, convinced he was doing right by the old dogma of stoicism. He didn’t tell a soul out of shame and embarrassment; whose he didn’t know.

Unsurprisingly these two poles couldn’t stand for long. The tension bore down on Hagen’s skull until it felt something might break. It reared its ugly head from time to time. He became withdrawn, irritable and inactive and suffered more than one nervous break. It came to a point where he had to deal with it or it was going to deal with him.

In reflection Hagen realized the point that had led his loved one to a collapse and subsequent dissolution held parallels to his own. As a child, bereft of stability, he created a larger than life persona to live within. He buried his insecurities and traumas deep and kept them there for most of his adult life, until, unable to maintain the house on stilts he’d built for himself, he collapsed completely. And here Hagen was in the face of this loss, about to repeat the cycle.

Hagen wondered was this stoicism, this shame, this impasse even his own or had it been pressed upon him. From the earliest memories of boyhood he could recall one of the most integral attributes of male-ness being an ability to suppress emotion. Concealment was touted as a point of pride and here he watched as it leveled the one who held it in his hand.

'Smell Smoke', the band's anticipated 2018 follow up to their breakout 2015 album 'Gawk,' is an attempt at openness and vulnerability. It’s an attempt at unlearning. It’s a document of grief; a child crying into the dark.
Peach Kelli Pop
Peach Kelli Pop
Peach Kelli Pop originated when Allie Hanlon, originally a drummer, decided to try writing and recording songs in Ottawa, Canada in 2009. Hanlon started out writing not for an audience but for herself. The intimate quality of her bedroom recordings have been maintained to this day. On first listen one will hear high-pitched harmonies and thick layers of trebly guitars but just below the surface lays an evocative darker side to the music that often goes unnoticed.
Peach Kelli Pop is known for her catchy and tongue-in-cheek songs inspired by video games, Chinese food and conspiracy theorists, illustrating not only her playfulness but also her wit and her angst. Hanlon also grapples with more serious topics like the pressures and challenges women face and the weight of love. Some songs feature the sounds and words of frustrated heartache and recognizable sorrows. Those that spend enough time with Hanlon's music will grasp its depth –both musically and emotionally.
Peach Kelli Pop plays with the type of urgency and immediacy that appeals to an audience with short attention spans. Hanlon fronts Peach Kelli Pop's energetic live shows on guitar and vocals and is backed by an assembly of female musicians. The live band consists of an additional guitarist, a bassist, a keyboardist and percussionist and a drummer. Hanlon has been playing with all female musicians in recent years because she recalls being inspired by seeing other women play shows as a teen. In the male-dominated music world, it affirmed her own potential for writing and playing music.
Peach Kelli Pop has their third full length record being released this April on Fullerton, CA label Burger Records. They are doing month long tour of the United States and Canada and a tour in Japan in support of the new album.

"Hanlon's voice: sweet yet detached like the fading flavor of a watermelon Jolly Rancher long crunched and swallowed" -Pitchfork.com

"Miminalist bubblegum/pre-Chysalis Blondie/Japanese cartoon pop/zero-grit sandpaper punk perfection! This White Wires side project (though this joy bop music is more of a mutiny than a side project by comparison to WW's garage purity), PKP is more thrilling than PCP!"
-Roctober.com

"Like a lollipop caught in a lint filter, Peach Kelli Pop nestles sticky sweetness beneath layers of cottony fuzz" -WonderingSound.com

"PKP sounds like a thrice-dubbed Archies cassette stuck in fast-forward, or, perhaps, the Chipmunks fronting Nobunny." -FFWDWeekly.com

"PKP has the gleam and cheerfulness of boldly feminine '60s girl groups and is suited for any listener with a short attention span: She fits a good amount of melody into a relatively short amount of time" -ConsequenceofSound.net

"Best lo-fi punk popper going now! White Wires drummer, too! NICE!"
- Goner-Records.com
Venue Information:
In the Venue
219 South 600 West
Salt Lake City, UT, 84101
http://www.inthevenueslc.com/