SOLD OUT: The Bouncing Souls

S&S Presents

SOLD OUT: The Bouncing Souls

The Bronx, Skinny Lister, Sharp Shock

Sat, May 4, 2019

6:00 pm

Metro Music Hall

Salt Lake City, UT

$27.50 ADV / $30 DOS

This event is 21 and over

The Bouncing Souls
The Bouncing Souls
You can count the number of bands who've stayed together for 20 years on two hands, and you can use just one to count those who've consistently released quality material for two decades. This year, The Bouncing Souls enter that esteemed category, and in keeping with their D.I.Y. roots, they've done it without major labels, corporate radio, MTV, or teen magazine pinups.

When married couples celebrate twenty years together, they're usually showered with anniversary gifts. The Bouncing Souls are celebrating their milestone by reversing that tradition and giving back to the fans, releasing one original song per month throughout 2009. More on that later, but first let's look back on some earlier days…

Picture it: 1989, a Knights of Columbus Hall in Bernardsville, New Jersey. A supportive music-loving teacher throws down $120 to cover expenses. A bunch of sweaty high school kids gather to sneak beers and rock all night at the debut show of a band called The Bouncing Souls. And a Jersey institution is born.

But the Souls' story actually begins a few years earlier than that historic gig. "Pete [Steinkopf] and Bryan [Kienlen] had a cover band called The Switch around '86 and '87," recalls frontman Greg Attonito. The band was largely booked at parties teeming with college chicks and kegstands, and occasionally, their friend Attonito would join in to channel his inner Roger Daltrey or Billy Idol.

"Then we started another band called Brad Karma and the Absent Minded Fruit Bats," says guitarist Steinkopf. "There was one song that we had called 'Quest For Goodie' and Greg would jump around and sing all kinds of crazy shit to it off the top of his head. We were all teenagers growing up in the suburbs, just looking to create our own fun."

The threesome spent ever more time hanging at shows in New York City and haunting Trenton's legendary, late, great City Gardens. The chemistry was undeniable and unstoppable, and it wasn't long before their creative juices flowed together. Tapping original drummer Shal Khichi, the band holed up in Greg's dad's attic and started writing what would make up the early Souls songbook.

Like any young band with energy to burn and original songs under their belt, the boys took to the road in order to share their music and spirit with any crowd that would listen. While there were aspirations to find audiences across the globe, even college parties and basements were enough to keep hope alive in the early days. As bassist Kienlen puts it, "We never spent too much time worrying about the future. The point of the band was always celebrating the here and now, trying to make the best of whatever was in front of us at the time."

Though it wasn't until 1995 that the band was able to tour on a full-time basis, they soon found the road to be a more frequent home than the comfort of their own beds. From headlining tiny rooms in remote towns to playing Wembley Arena with Green Day and Tokyo's Budokan with My Chemical Romance to spending time on seven different editions of Vans Warped Tour (totalling 11 months, with more sure to come), The Bouncing Souls have clocked more travel time than most airline pilots.

Since 1996, the band has had a constant traveling companion and honorary fifth member - their primary touring vehicle, lovingly called The White Castle. For ten years, she gave dutiful service, until The Gold Tour, when her engine gave out - with 300,000 miles on the odometer. Regarding her decade of service before temporary retirement (the proceeds from that tour are rebuilding the old gal's guts), Attonito says, "We converted those miles into road hours. Estimating about 40 MPH - because a lot of them aren't highway miles, with plenty of time sitting in traffic - it was staggering. Our estimate rounded out to 333.33 days driving in our truck! No exaggeration: that's about a full year!"

Fortunately, there are many more tour dates in store for both the band and their beloved Castle. Exactly how many of those dates is impossible to say, though, since the band hasn't exactly been keeping score. "I'd love to figure out how many shows we've played...I wish we kept count," says Steinkopf. "I know bands that have and it's awesome. It must be way up in the thousands by now, though."

Frequent attendees of those gigs (true believers, all) hail the Souls as one of the best bands in the world, and the boys feel the same devotion to their fans. "Bouncing Souls fans are the greatest friends ever," enthuses Attonito, "They're passionate and full of life. They really are part of the band in the sense that we're plowing a path through life together in good times and in bad."

"It's pretty much across the board too," adds Steinkopf. "every age group...all different kinds of people. My favorite is when we meet people that were there from the start and now they have kids of their own that they bring to our shows. We really are a part of each others' lives."

"And any time someone says you've influenced them certainly makes an impact on you. To know that someone has looked at something you've done and they have taken something from it - whether it be in a lyric or the way you play your instrument - has got to be the highest compliment paid," says drummer Michael McDermott. As a final piece of evidence, Kienlen points to the MySpace gallery of band-based tattoos adorning their admirers: "Last I checked it's up to almost 300 and counting. Our fans are hardcore in their unwavering support. We really are one big family."

And families share things, which is why this year, the Souls have decided to gift their family of friends and fans with twelve spanking new songs, available for the standard less-than-a-buck download on the first of each month in '09, or for purchase on 7" vinyl in quarterly compilations on their own Chunksaah Records (each featuring one additional bonus track).

Steinkopf elaborates: "We all decided that we wanted to do something different. We'd been on the same schedule for years: write a record, record a record, wait for the record to come out, then tour on it until we wanted to start the cycle again. We also wanted to break our own patterns and do something that was going to be inspiring and new for us."

Attonito adds "I remember being in New Zealand and saying we should do a release that doesn't come out all at once…I was thinking in the context of a TV series. Somebody else might have come up with the first of the month idea but usually all the creative stuff we do is a process. Everybody kind of throws a stick on the fire at the right time in the collaboration."

Doing it for the sake of the music, the fans, and their own inspiration for twenty years, the group – and their White Castle – are going pedal to the metal on a full tank of gas. According to their frontman, "The shared driving force is part of the mechanics that keeps the beast truckin' down the next highway. We were - and still are - a few passionate, rebellious, creative, idealistic, party loving punks looking for a good time, for something to believe in, and for something meaningful to live for."

With twenty years behind these legends from the Garden State, there's a lot more still to come from The B.S. – and that's no bull.
The Bronx
The Bronx
American hardcore punk band from Los Angeles formed in 2002.
Skinny Lister
Skinny Lister
Leaping drunk in Hamburg, locked in a bunker in Berlin, tearing up the road from New York to Tokyo via everywhere in between, the non stop world of folk punk heroes Skinny Lister is broadening by the record. If their folk debut celebrated the sticks and their punkier second blinked in the bright lights of London, rocked-up third album, The Devil, The Heart & The Fight, has seen them go global.

“The first album [Forge & Flagon] was quite rural,” says singer, guitarist and one-time chief of the stomp-box Dan Heptinstall, while the second [Down On Deptford Broadway] was very London-centric. With this latest album, because we’ve done so much traveling, it was broadening out a bit, it’s more on-the-road. We cobbled the songs together all across the world.” Since the release of The Devil, The Heart & The Fight, the world has continued to unfurl for Skinny Lister. After solid touring throught the latter end of 2016, it was inevitable that the band would leap back into it come the new year. 2017 opened with a massive tours with Flogging Molly in the US and Dropkick Murphys in Europe. They followed this in the spring with a sold out UK tour including their biggest London date so far at Scala and a slot at Frank Turner's Lost Evenings four-night Roundhouse residency. The rest of the summer schedule is packed with festival dates including Glastonbury, Camp Bestival, Hurricane & Southside, Greenfield, and more before an expansive European tour in the autumn covering Norway, Sweden, Finland, Germany, Austria, Switzerland.

As folk rock’s rowdiest rabble since 2009, Skinny’s world has always been an adventure-filled place to be. They’ve held gigs in Land Rovers. They’ve sung while wing-walking. They’ve toured in a narrow boat. They’ve stomped and jigged on restaurant tables, in hotel elevators and in record label car parks. And, as their two previous albums sent them reeling into the hearts of America, the UK, Germany and Japan – on headline tours and stints with Frank Turner, Flogging Molly, Dropkick Murphys and the Vans Warped Tour - wherever they play their lusty shanties, punk folk roar-alongs and crazed whirls of love, fighting and booze, you’ll still find them out dancing with the crowd, passing around their flagon of rum or crowd-surfing to the bar, double-bass in hand, to neck shots mid-song. Make no bones – Skinny Lister are the wildest party band you’ll ever get drunk with. And you will get drunk with them.

“We still have the flagon,” says Dan. “We pass it full of rum out to the crowd and everyone partakes.”

Pieced together while on the road, and recorded over five weeks in Newcastle Under Lyme’s Silk Mill Studio in May 2016 with producer Tristan Ivemy (Frank Turner, The Holloways), The Devil, The Heart & The Fight is Skinny Lister’s most far-reaching, exciting and accomplished album yet. It’s a full-on rock record that splashes even more punk vigour and eighties pop elements across their fervent folk canvas, taking in hints of Adam Ant and Kate Bush. It also brings the folk storytelling tradition bang up to date with its tales of on-the-road mayhem, most notably the Pogues-ish 'Hamburg Drunk', the story of the fateful night they ended a tour in Hamburg with plenty of rider booze left and decided the most sensible course of action was to neck the lot.

From the fiery Elvis-gone-folk roar of opener 'Wanted' – Dan saluting London, New York and Cairo in a song “about looking for life in the cities we’d visit” - The Devil, The Heart & The Fight comes out fists first. “We wanted a big sound,” says Lorna, “we wanted it to sound punchy and have more attitude than the last one.”

They wanted it to be brutally honest and close to the knuckle too. “This album has been inspired by 'Trouble On Oxford Street' a bit more,” Lorna reveals, “there’s a few more true stories on it. Nobody’s safe. If you know us, you’re not safe.” “I’ve gone pretty close to home on a lot of the songs,” Dan adds. “One of them’s about our drummer Thom who had his wedding cancelled by his fiancée. Everything I write is true but there’s a lot of songs on there about people that are pretty close to me.”

So the jubilant 'Geordie Lad' is an open letter of reconciliation to their ex-bassist Dan Gray. “He left the band and there was a bit of falling out,” Dan explains. “It’s a shame that we’re not as good friends as we were. So it’s a little nod to that as well as speaking to him indirectly through the medium of album.”

And what of Charlie, eponymous star of a pounding pop classic who “carries the dream for all of us, flying the flag for northerners, council estate to Hollywood… like Steve McQueen he took the jump”? “He’s a friend of mine from Bridlington,” says Dan. “He lived on a council estate I used to live on in East Yorkshire. He’s only twenty-one but his sister was doing bits of acting work, took him along to an audition and he got picked up by an agent who then passed him on to an agent in LA and from there he’s picked up a role in a film that’s coming out this year and a big Netflix series that’s about to hit the screens. So he’s by accident fallen into this life. There’s a bit of jealousy in there but good on him.”

A mature, vibrant and varied record, it mingles classic Skinny folk romances ('Grace', 'Reunion') with epic rock takes on rafter-rattling shanties ('Beat It From The Chest') and hearty Dexys-style tributes to the fans they meet on the road ('Fair Winds & Following Seas'), plus a hitherto unseen darker side. Take the deceptively upbeat 'Injuries', Dan’s ode on the bruising nature of life, or 'Devil In Me', in which Lorna comes on like a particularly melodic Glenn Close in Fatal Attraction: “the devil in me will come for you and you’ll pay the price for not being very nice… you took my life, I’m taking yours, that seems to me a fair trade”. Gulp.

And The Devil, The Heart & The Fight is like Skinny’s previous albums gone backpacking; expanding its horizons, full of adventure, discovering itself and doing things it regrets in the morning. Have heart, ye devils, join the fight.

**If you have a large party and would like to reserve the upper balcony of Metro Music Hall, please contact nic@sartainandsaunders.com.**
Venue Information:
Metro Music Hall
615 W 100 S
Salt Lake City, UT